Monday, December 13, 2010

Maggie

Quiet hovers round building bend,
a presence missing, no sad portend,
furtive angels do what they will,
note from harp string fluttered still,
this biting wind, too cold to bear,
cheek scarred with a crystalline tear,
Magdalena’s gone, my token joyage,
thoughts are on your silent voyage.

Wednesday, December 8, 2010

MAGGIE

Outside of one's relationships to family and close friends, most friendships are little more that fleeting acquaintances, ships passing by. If one's world is like a fragrant meadow, we would often be little more than butterflies visiting different flowers and occasionally scraping wings in pursuit of life’s nectars. But there are always favored flowers, petals that irresistibly invite, a kind smile and little compliment that brightens each day. If I were a butterfly, then it was I who over the last few years found myself frequently gravitating to a lovely flower named Magdalena Agosto. I always took the same path to the No Name Deli in hopes that I would catch her taking a break from her duties at the neighboring medical clinic, standing there with her cigarette, or eating a quick meal, or catching up on a page or two in her books, often fantasy romances. Maggie was from Puerto Rico, and she always called me Papi, and we chatted about books, children, and other topics that struck our fancy. She had a fairy’s laugh and always a twinkle in her eye, a devilish smile, and she almost always mentioned her daughter. She loved butterflies, and occasionally I would find something with one on it, or a piece of Puerto Rican painted pottery, and she was always delighted with them. I still remember how excited she was when I found spanish translations of the Twilight series. She was the same age as I am, and we connected. She never failed to put a smile on my face.

Today, one of the nurses came out from the clinic and told me that Maggie was gone. Aneurism. I am still struck dumb. It is amazing how such a small friendship, when it is gone, can leave a scar in the heart. I have felt like crying all day. I am going to miss her so much. A corner of my meadow has gone dark and it will be with heavy wings that I pass by it. I wish well to her family, her son and daughter, and grandchildren (I think there are two), and her many sisters and brothers. Descanse en paz, Maggie. This old butterfly will never forget you.

Tuesday, December 7, 2010

NUTCRACKER 2010

The Friday night production of Columbia Classical Ballet's annual Nutcracker at the Koger Center for the Arts delivered a sweet present to holiday dance lovers. It was full of change, and most of it for the better. The company, which appeared a bit smaller and younger this year, put on a delightful production that was sharp, colorful, and filled with more motion that I can remember seeing in past presentations. Artistic director Radenko Pavlovich introduced many new scenes and faces; alas, there were many missing as well. I missed seeing my favorite Japanese ballerinas, Akira Manabe and Kaori Yanagida, as well as my Brazilian friends, Renata and Waldelei. And the biggest absence, for me, was not seeing my son Joey up on stage, but he decided he wanted a sabbatical this year. I also missed working behind-the-scenes, especially watching the dancers from the wings, which I always find interesting (though I didn't necessarily miss children-sitting duties); but Joey got to see the performance in its entirety for the first time in years and he enjoyed it. Unlike past performances, there weren't the frequent clothing mishaps of last year---in fact, the new costumes were colorful and well put together. It seemed to me that the men, this year, outshone the women; I liked that Radenko put men in scenes that I can't recall them being a part of before. There were far fewer children involved, who at times gummed things up (probably to the chagrin of many parents, who naturally want to see more of their little darlings).

The majority of changes were to the first two sections, starting with the opening scene featuring ice skaters cavorting and fighting. Radenko did away with the well-trod former opening scene (that had featured a string of dancers crossing the stage to attend the party). The new scene was more riveting and enjoyable, and I hope he keeps it in. I also loved that he finally got rid of those darn giant bat heads and went instead with masks. Returning dancer DeeDee Rosner stole the entire show with her portrayal of grandmother in the party scene. She absolutely nailed it, and the crowd loved her. I wonder if she has considered musical stage. Usually Larry Payne, as Mother Ginger, gets the laughs from the audience, but DeeDee outdid him this year for comedy. I wasn't thrilled with the rat/soldier portion as compared to past shows. Joey didn't like it all, especially that the rats had the guns and the soldiers kept marching into the fire with swords.

Many returning dancers---Zolton Boros, Edward Persondek, Lauren Frere, Aoi Anraku, Oleksander Vykhrest, Saif Wilkes-Davis, and others---reprised former roles or took on new ones, and they all did a good job. Individual dancers were better than others, and there was the occasional slip, but they seemed energized and as if they were enjoying themselves.

I was impressed with two additions to the company. I really enjoyed Russian Ivan Popov, who danced for a while with the San Francisco Ballet, and Brazilian Jose Pereira.

The second half was not so different from past performances, and didn't quite live up to the promise of the first half, but it was still enjoyable. I didn't care for the costume worn by Ryosuke Ogura, a new member, in the Chinese dance. That one could stand some revision as well. The Arabian scene was not as well danced as in the past.

Overall, it was a nice night of dance. The boys were very good and Joey was riveted. I hope it gets him back in the company soon.

Monday, November 22, 2010

CONROY'S READING LIFE

Curse you, Pat Conroy! Another night and most of a day immersed in one of his offerings, My Reading Life; so often have I been consumed by his words and mesmerized by how he retroactively tickled hidden ivories of my own life. And he is wrong when he asserts he never taught after his experience on Daufuskie; perhaps he did not stand before a gaggle of students, but his books entertained and instructed me from the start, a gripping sojourn begun with The Lords of Discipline, a gift from my mother. I tracked down The Boo and The Water Is Wide, and devoured them too, and have swept through all his remaining books (though, I haven’t been able to force myself to read the cookbook). I have many literary loves now, but Lords will remain one of my all-time favorites. I remember quivering outside a USC auditorium, lucky to listen in as he spoke about James Dickey (a speech reproduced in a chapter here), eager to get a glimpse of him, laughing as he told the river story, understanding his impressions of Dickey firsthand (whom I met several times, but did not like); and then he emerged, surrounded by a flock of adoring fans, and I managed to squeeze through and offer my hand, which he took. He looked as if he expected me to ask for his autograph, but I just stared (no doubt with a shit-eating grin) and said, “I just wanted to shake your hand.” I love that my former boss and mentor (in many ways) Matthew Bruccoli allowed me the opportunity to attend, even if I was there to work.

My Reading Life is less a list of important reads, although it is that too, than a memoir of people and places, family and friends, who instructed and influenced his writing. Anyone who loves his stuff will revel in the chapters that flesh out what they already know, because his books have already revealed many of his personal demons. Yet this book is by no means depressing or difficult; the stories are painted with humor and love, and maybe even a little comeuppance, and a dose of humility (possibly forced, as he must know how good he really is). It is also a call to writers, especially younger ones, to read voraciously, experience vicariously and personally, and, it seems, to blaze a path no matter what others say or how they criticize. He sends love letters to some of his favorite authors---Mitchell, Wolfe, Tolstoy, Dickey, among others----as well as explains the importance (and flaws) of people such as teacher Gene Norris, librarian Eileen Hunter, bookseller Cliff Graubart, bookman Norman Berg, and a cast of other colorful characters. I loved his passing relationship with a Japanese man while both were in Paris, as his breakfasting partner asserts in response to the arrogant waiters that Japan should have passed over Pearl Harbor and attacked France. If you love Conroy, you will feel as if you are listening in his parlor, and hopefully it may bring new readers to his novels.

Monday, November 15, 2010

Ballet

A review from Slate of a new book on ballet that is worth reading.

http://www.slate.com/id/2274746/

Sunday, November 14, 2010

CHAMPS

Gamecocks win SEC East chamnpionship for the first time, while defeating the Gators in the Swamp for the first time as well. Awesome victory, well-played game, the team played hard and within themselves. Now to greater challenges.

Friday, November 5, 2010

I AGREE

William Saletin said it well:

"Politicians have tried and failed for decades to enact universal health care. This time, they succeeded. In 2008, Democrats won the presidency and both houses of Congress, and by the thinnest of margins, they rammed a bill through. They weren't going to get another opportunity for a very long time. It cost them their majority, and it was worth it.

And that's not counting financial regulation, economic stimulus, college lending reform, and all the other bills that became law under Pelosi. So spare me the tears and gloating about her so-called failure. If John Boehner is speaker of the House for the next 20 years, he'll be lucky to match her achievements."